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Therefore, it is ideal to place the light source very close to your subject. Remember, light diverges (hardens) as it travels away from its origin. Usually, have the light enter the frame very horizontally in relation to your subject will ensure you get create contrast between the lights and darks of the scene. Place your light source or your subject so that the shadows are optimized to your discretion. Position the light directionally & close to the subject.The key here is to shoot relatively perpendicular to the direction of the incoming light. This light source could be a single off camera speed light or strong natural light such as that coming in from a window(my preferred method). The most straightforward way to accomplish this is of course use only one light. Though it is perfectly acceptable to use multiple light sources, the idea of Chiaroscuro is to make the image APPEAR to be only be lit from one source. The setting sun is in the background of the frame and adds supplemental lighting for complimenting structures. In this case, the subject is illuminated by a solitary flame. This last selection illustrates an example of a Chiaroscuro photograph which employs two sources of light. It is monochromatic but not black and white… more on this shortly. A delicate and nearly abstract capture which was lit by a single constant incandescent bulb at the model’s right side. The following image is one of my favorite self-made Chiaroscuro photos. The illumination displays the eye quite well and lends a sense of rawness to the photo. It was produced using a single speed light held just out of the frame. The next one is a nice example of color Chiaroscuro. This made for a hard shadowing and really brought out the textures in the skin. The hands were placed on a dark wooden table to add contrast. The light source was natural sunlight from a window at the left of the subject. Refer back to the paintings above and relate the similarities.īelow we have a black and white image composed in strong Chiaroscuro. We will also cover a few shooting and processing tips which will help you make the most of your Chiaroscuros and expand your image making arsenal.īelow are some selections of my own work shot in the Chiaroscuro style. Contrastly’s own Jon Phillips has compiled 35 gorgeous examples of Chiaroscuro photographs which can be found on The Photo Argus. Once you understand the basic guidelines you will be able to make photographs with high contrast and stark tones using the Chiaroscuro style. The basic principles of Chiaroscuro painting also apply to its photographic counterpart. Notice that in both pieces the illumination originates from a single source and casts deep shadows.Ĭreating an image in the Chiaroscuro style is actually quite simple and can be accomplished using either natural or artificial lighting. Pay attention to the direction of light and the use of shadow. “The Calling of Saint Matthew” by Caravaggio, via Wikimedia CommonsĮxamine each of the above paintings critically and with a photographers eye. “The Adoration of the Child” by Gerard van Honthorst, via Wikimedia Commons Here a couple of works from the Renaissance which were painted in the Chiaroscuro style: The light source was often singular and resulted in dark shadows and backgrounds with the overall scene being highly contrasted between lights and darks. As the name origin suggests, it is a method of painting which imparts a sense of very directional light falling on the subject. Congratulations! You’re speaking Italian! Well, you’re speaking an Italian derivative of two Latin words: “ clarus” meaning clear or bright, and “ obscurus” meaning dark or obscure.Ĭhiaroscuro is the name for a style of art which became quite popular during the Renaissance. Come on, say it with me… key… are… row… scuro.